Anarchy in the Ukraine

ukraine-protests-reutersv1 Russian Backed Ukraine Crackdown

Update:  Well now the former (yeah, right) Soviet Republic of Russia has invaded the former Soviet Republic of Ukraine.  If people didn’t think that the former Soviet Republic of Georgia wasn’t just a Russian warm-up to imperialistically invading, occupying, and ultimately reabsorbing parts that were formerly the USSR, well then you’re just plain stupid.  This is going to make American imperialism look naive by comparison and the Yugoslavian breakup look like a day in the park.  Too bad nobody but the poor Ukranians on the ground are going to fight against it.  

If this had happened to say West Germany in 1972 would we be sitting around on our asses and just wringing our hands?  What do we have all these nuclear weapons for?  If the enemy doesn’t credibly think you will use them, then we might as well throw them all away.

Oh, and why does the media keep calling it an invasion of the Crimea?  If somebody invaded California they wouldn’t say California was invaded, they’d say the United States of America had been invaded.  Let’s call a spade a spade:  the Ukraine has been invaded.

What happens when they start invading places that weren’t even part of the USSR?  I believe we in the West will eventually look on the USSR as “the good ol’ days.”

vladimir-putin-time-magazine Ras-Putin “former” KGB agent and present General Secretary of the Communist Party and International Public Enemy #1

While the Soviet Union, er, I mean the former Soviet Republic of Russia hosts the the Wintercon, in Sochi their puppet government in the Ukraine continues to violently oppose the will of their own people to have closer ties to the EU in the hopes of someday joining this confederation of peaceful autonomous states.

Crimean Welcoming Committee

This just proves once again that thetyrannical country of the Soviet Union, er, I mean Russia never

deserved the choice of being the Olympic host.  Politics of the IOC swindle awarded these games to a communist, er, I mean country run by a violent dictator.  In fact the entire winter games have been ruled by corruption.  It is clear that the people of Sochi, except for the corrupt government stooges, hate that they were even picked for the venue.  The Olympic village itself, especially athlete accommodations are a shambles, and outside the village itself is a dangerous host city run by the Soviet, er, I mean Russian mob.  This city is also one of the worst areas in the country for ethnic and gender hatred and violence.

ukriane vilonce Ukraine Repression

The entire mess shows how corrupt the IOC is itself, full of kickbacks and kiss up politicians.  The current games are a disgrace and just should have never been held at all.

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I told you so!

Walpurgisnacht

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When we used to live in the Borgo Pass Walpurgisnacht was way more important than All Hallows Eve.  Children would come from all over the countryside for the unwrapped sweets and plum brandy we would give out.  You better have a lot of both otherwise your house would burn down, your cat would die, or your firstborn would disappear, but it was all in good fun. Talk about your tricks or treats!

candy-tampering-chThen we moved to the United States for the economic opportunity.  Jobs other than chauffeur were scarce in the Borgo Pass so if you didn’t have your drivers license you were pretty much screwed.  Even if you did have a license getting a taxi through the Pass was a pretty treacherous undertaking.  Then there were the European wars, a boom and a bust for us at the same time with so many corpses all around but still no jobs.

Trick_or_treat_by_RadojavorAnyway the day before yesterday a whole bunch of kids showed up at the old schloss here and demanded treats.  Well the brandy ran out in a few minutes and the leftover candy from Walpurgisnacht last April didn’t last long either.  We had eaten most of it ourselves.  On top of that I couldn’t find a needle or razor blade in the whole house.  We had some Vicodin around but you wouldn’t want to give that to little kids, it might hurt them and think about the parents that just steal their kids’ candy.

walpurgisnacht2To make a short story longer, last April we had the whole house decked out with booby traps for Walpurgisnacht and we were ready with our unwrapped sweets and cakes.  I’d laid in a good supply of razor blades and Mama had a whole pin cushion of needles just waiting for the little darlings.  I also had literally a barrel of slivovitz shipped in from the old country.  Well guess what happened?  Nobody came.  Nobody used the knocker.  Nobody rang the bell.  You would think people were dead or afraid of us.

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When we carefully asked around people said that nobody made a big deal about Walpurgisnacht in the United States; stupid Halloween was the macabre holiday.  This is simply ridiculous.  This was hard to believe.  When the children surprised us on Halloween many didn’t dress as corpses or revenants at all.  Some dressed as so-called super heroes and princesses!  I didn’t see a single sword, razor, or dagger.  What’s up with that?  America is a very strange place.

Well somebody told me about something called a “trunk or treat” which is some sort of alternative to the Halloween “trick or treat” experience.  It must be trick or treat for lazy people, and heaven knows there are too many of them around.  The other big difference is you invite children to the trunk or treat event not wait for them to just show up.  This got me to thinking, why not host a trunk or treat at the old château on Walpurgisnacht next April 30!

walpurgisnachtI know it is a long time to wait but we sleep most of the winter anyway so that makes the time fly.  A benefit is the candy is super cheap around Walpurgisnacht, unlike Halloween, Christmas, or St. Valentine’s Day.  The dollar stores are the best place to buy.  In the US there still is the problem of most of the candy being individually wrapped, unlike Eastern Europe, so getting the wrappers back on the candy, so many individual pieces, is a real pain but still worth the effort.

Matango!

Matango_1963You know what?  I was engaging in America’s #1 leisure time activity last night, and guess what it is, it ain’t sex, it’s television.  So what you say.  So what!  I was supposed to be out camping and I was but I didn’t let a little thing like that get in the way of MY leisure time.  You see I had my smartphone with me (and what an apt name for the little gadget, get one with the biggest screen size you can).  I was merrily ensconced in the supine position in my sleeping bag watching television and eating Reese’s Pieces while the rest of the clan and friends were out freezing their butts off, getting bug-bit, getting smoked out roasting weenies, S’mores, telling stories, etc.  No sir, your’s truly isn’t going to be found wasting valuable clicks in the ol’ lifetime game on stuff like that when through the wonders of modern technology I could be sitting by myself watching television.

But this is not the main thrust of this essay.  What was I watching you ask?  Why Matango of course, crudely translated into English as Attack of the Mushroom People or Fungus of Terror.  And what a bit of tasty 1963 Japanese fare it was too.  Now I’m sure by now you think you know where this little piece of arcana is going, but you, with your degraded sense of perception are oh so wrong.  So stick around if you want to get that Jethro Bodeen 6th grade edecation stretched a bit.

matango4by3First let’s get a few things about foreign language films straightened out.  This Matango affair is a Japanese language film.  Now I want to make it clear from the start that this is no art film.  Sometimes foreign language and art cinema get confused.  See all art cinema is bad.  Some foreign language films (most) are art films, but by logic not all foreign language films must be art films.  So some foreign language films can be good (but not many).  Did you follow that?  I hope so, most times I’m not too sure about you.

“The body lay outside an abandoned, boarded-up theater. The theater had started as a first-run movie house, many years back when the neighborhood had still been fashionable. As the neighborhood began rotting, the theater began showing second-run films, and then old movies, and finally foreign-language films.”  ― Ed McBain

EastTownTheatre2

Typical Art Cinema

Unfortunately before TV took over as the #1 entertainment venue, most foreign language film venues (almost all the dreaded “art film” theater) were in the seedier neighborhoods, in the same alley as the porno houses and peep shows, so a lot of people weren’t aware of the few gems that came out of the foreign language cinema.  Now your intrepid host here, being a courageous sort, wasn’t afraid of these neighborhoods of ill repute so I actively sought out these far too few baubles on the foreign cinematic charm bracelet.  You wouldn’t believe the amount of infantile and prurient fare I had to, um, let’s save that for later.  Where was I?  My point is we don’t want this Matango confused with some far inferior motion pictures, I would say worthless, from Sweden or Italy made by so-called artistes of the cinema.

Then the next thing we need to make clear about enjoying a good foreign language film like Matango is turning the subtitles off and turning the alternate language track for English on.  I know the lips don’t match and the dialog almost certainly doesn’t either, but the last thing we want to do is let something as tedious as reading interfere with our quality leisure time activity.  Sometimes you just have to give up one thing for another better thing.  Anyway with your reading comprehension I wouldn’t want your enjoyment to be ruined by having to hit the pause button all the time to ask a lot of questions.

What most people don’t know about Matango is it’s based on a piece of classic sea faring horror literature.  It’s based on a story called The Voice in the Night by William Hope Hodgson.  This is a most creepy early horror story that influenced a lot of later horror stuff and not the usual drivel that was clogging up literature at the turn of the 19th century.  Hodgson practically invented the giant sea monster and did invent the attacking fungus genre and the latter is what we have here.  See how important he is to modern art?  Now with your education and lack of casual reading I wouldn’t expect you to know any of this plus it’s kind of not that well known anyway so I’m giving you the benefit of the doubt here.

88d78386572b8dae02ad5600649b8b0d3ac30448Well Matango was produced by the far seeing and justly famed Toho studios the visionary folks that also pretty much invented the giant monster flick single handedly.  It’s advertised to be in Tohoscope whatever that is.  Anyway it is wide screen and in color, real pluses.

Anyway let’s get started.  A bunch of high rollers are on a sailing holiday somewhere in the Pacific where their ship is severely damaged in a storm and then becalmed.  Eventually they are shipwrecked on an uncharted weird island that just happens to have a creepy hulk of its own with a lot of fungus on it.  Can you see a classic in the making?

matango-6Well they clean up the old tub and try to make a home out of it until they can get rescued.  The island is all covered with little and big mushrooms and fungi and other weird alien looking stuff.  They’ve got food but it sort of runs out and those little toadstools look tasty and smell so fresh.  Guess what’s on the menu?  Shiitake happens!  Now you know what happened to all the folks on the other boat, and it ain’t rescue.  The usual body snatcher type mayhem ensues.

matango

Don’t eat that!

The movie is in color and the island is filmed in such a freaky color scheme you might think you’ve eaten some ‘shrooms yourself.  The transformation pustules are pretty gross to look at so that makes ’em cool while your eating some Reese’s Pieces.

Once this little known classic was over it was nighty-night time for your’s truly no matter what nonsense the others were up to, probably eating the toadstools in the campground or those colorful plate things that stick out of trees since the S’mores were gone, but I know better now.  See TV can be informative as well as entertaining.

Anyway, unless they have me tied down and are force feeding me those toad stools I’ll be up early because Saturday morning means just one thing besides breakfast, The Three Stooges!

The_Three_Stooges_Wallpaper

The Horror, The Horror

Another serious one so just go away now…  Besides I already put it up at BookLikes so it’s kind of old news.  Really no reason for you to stick around.

            Micawave-TheHorrorMicaScalin743

I’m a huge fan of horror fiction, all kinds.  I do tend to favor the more esoteric sorts of fare that don’t really have a concrete and neat conclusion, but not always.  I can appreciate a good thriller full of monsters, haunted houses, creeps from beyond the grave, space aliens.  I have to admit I’m kind of tired of the big three though:  zombies, vampires, and werewolves.  I’m also a little snobby and avoid the Dean Koontz, Preston Child, and Bentley Little fare.  I like a well written, as in higher literary aspirations, as well as a creepy, eerie, or weird story.  I will just read a suspenseful monster fest for fun however.

Lovecraft1934

H.P. Lovecraft

Horror is another one of those shamed genres like Romance, Westerns, Crime, SciFi, and Thrillers.  For some unknown reason Mysteries seem to somewhat escape this literary pariah status.  No matter how well written and thoughtful a horror novel is it will be shunned by the true literati (= snobs).  The only novels that escape this fate are those that are written by writers that are already considered literary writers and not classed with the genre outcasts.  Therefore a Colson Whitehead can write a post-apocalyptic zombie book and the literati will accept it as “experimental.”  BS flows nonetheless, such novels are sure to be overrated within the genre because of their literary cachet.  Thus Gravity’s Rainbow, as much a genre novel as anything, is classed literature, while Misery, every bit a literary novel, is not.

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Monster Fest – Robert McCammon’s Stinger

Wherefore does this nonsense arise, I ask?  Partly it is reliance on the short story in the horror genre.  The short story is actually the lifeblood of the horror genre and it has always been the red headed stepchild of what is considered true literature once the novel became the dominant fiction literary form.  Short stories are almost a literary genre unto themselves, treated as a sort of sub-literature or novelty for short attention spans.  This persists even though snob rags like The New Yorker have printed stories and novellas as high brow fiction for decades.  They get away with this by pretending the writers of these shorter bits are really serious novelists just moonlighting in shorter magazine fare.

CoyeNow that we’ve disposed of this bit of silliness, what is left?  Well I think the shunned status is partly also caused by horror being about unreality that largely doesn’t conform to a defined “art” category like surrealism say.  “Literature” is supposed to be about real or possible things.  This obviously is not always true, Thomas Pynchon, Kurt Vonnegut, and Franz Kafka are again notable exceptions.

However I think the main reason horror literature is snubbed is because these fears that we entertain are formed in early childhood and somehow intellectuals think we should be largely beyond these things as adults.  To enjoy, or maybe I should say, savor and ponder these symbols and subjects is considered a sign that we haven’t grown up.  After all grownups don’t believe in ghosts, monsters, aliens, or haunted houses.  The fact that these can be deep seated symbols worth considering is dismissed.

pickmans-ghoul

Pickman’s Ghoul – H.P. Lovecraft

Many horror writers and fans attempt to artificially jump out of the genre by referring to it as “dark fiction” as scifi tried to unsuccessfully re-brand itself as speculative fiction in the ’60s and ’70s.  I’m from Chicago and I believe you should call a spade a spade; used cars are not pre-owned cars.  Like Bentley Little, if a horror writer tries to tell me he/she is a dark fiction writer bad things will result.  Horror fans who want to be called dark fiction fans have an inferiority complex when it comes to their “literature” brethren but this doesn’t justify painting over the genre label.  Get used to it, you are a horror fiction fan and certain types aren’t going to want to discuss your reading list whatever you brand it.

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Thomas Tessier’s Remorseless: Tales of Cruelty

Labels are useful things.  They help us to define and choose what we want.  They provide a convenient place in say a bookstore to filter what we want to look at.  If all books were filed together the shopping experience in a used bookstore would be infinitely more difficult.  Dark fiction isn’t an accepted genre, so filing said books in with regular fiction is silly no matter how inferior the writer/fan feels for having to shamefully go to the horror section, even for a literary masterpiece.  There is little purpose beyond snobbishness for shucking the horror label.

The horror, the horror.

darkness_at_the_edge_of_town_by_radojavor-d5jdqlp

Giant Monsters versus Giant Robots

pacific-rim-poster-bannerListen up all you cineastes.  I’m taking you to film school today and you know what that means, no talking in the class or the wooden yardstick comes out.

Godzilla,_King_of_the_Monsters_Wallpaper__yvt2I went to see the film Pacific Rim the other day and I began thinking about how crappy most movies are.  Now you probably think I’m going to piss all over PR, but your camel has gone up the wrong dune effendi, I loved PR.  I think it is one of the best films made in the last 10 years.  Why?  Simple:  zero character development and minimal romance, giant 3D monsters, and giant 3D robots, a cinematic formula so simple and winning that you wonder why nobody thought of it a long time ago.

mechagodzillaOh but wait, somebody did think of it a long time ago:  the Japanese.  These clever Asians had pretty much a corner on this type of top notch entertainment for decades and for some reason nobody else caught on.  Even after the so-called live action giant monster fests went down the drain the tradition carried on via Japanese anime.

Meanwhile Hollywood, fat and jaded by chick flicks, Disney fare, musicals, and “important” art films passed on what could have saved a lot of California studios.  Hollywood had the technology to pull it off but left it to the Japanese with their inferior cinematic resources to carry on the tradition.  Ultimately the live action Japanese fare failed because of scant resources for better special effects.  The Japanese, largely devastated by nuclear attacks and real monster invasions, had to reallocate these vital cinematic resources just to survive.  Their ability to carry out believable special effects was severely compromised to the point where putting a lush in a rubber suit had to suffice for action.  Great Asian cinema would just have to wait.

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Inferior Hollywood Fare

Hollywood could have saved the critical giant monster film industry starting in the late sixties but passed for the likes of The Great Gatsby, Chinatown, The Sting, China Syndrome, Ingmar Bergman and similar lo-tech dreck.  To say the Hollywood studios were too cheap to do it right is almost an understatement, and they paid dearly for it, many studios forced to ultimately close down, get gobbled up, or retreat to the porn industry.

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Things remained pretty grim until the turn of the century.  After 2000 the movies started to get better, believable giant robots and monsters featured a lot more in films with the Transformers franchise and Cloverfield being critical turning points.  Giant monsters and giant robots were back on the menu!

Ice Spiders

SciFi’s Ice Spiders

Even television, especially cable, once they wised up and saw the potential, jumped on the bandwagon, with the SyFy (formerly SciFi) network being one of the pioneers with such tasty and high quality films as Ice Spiders and Mastodon.  I think the opening up of the mega channel cable industry actually had a lot to do with the resurgence of the genre with endless reruns of Andy Griffith and Gilligan’s Island driving people to demand smarter fare.

cloverfield-monster-vs-godzillaFinally, digital technology, IMAX and 3D made the giant monster and giant robot essential cinema viewing.  Now the only excuse you have for not being entertained and informed about the state of giant monsters and robots is being able to come up with the 15 bucks for a ticket (you can always sneak the concessions in in a picnic hamper).

Next time out I’m going to prove to you why, other than the TV program NCIS, monster and horror TV, and especially movies, are the most important and fulfilling entertainment you can watch.  I promise, and you already know you can depend on me.

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Superior Entertainment

Monsters & Literature

Here’s your Independence Day treat.  Don’t eat it too fast, it’ll make you sick.

Okay, now I’ve already told you about how all music is better when played faster and louder, well here is the next step in our artistic journey: all art and entertainment is better if it also includes monsters. Although this construct is self evident, I’ll provide a few examples along the way just to prove it. Also we will get into the unfortunate misuse and overuse of monsters in literature.

Moby DickIn prior literary times it wasn’t common to feature monsters in literature.  We would get the occasional witch or demon but no real monster stuff up until the Romantic and Victorian eras.  Then we got real monster stuff like Frankenstein and Dracula.  However these were all considered brown wrapper books, back of the store stuff for the most part.  Who really got monsters started into literature was Herman Melville.  Melville wrote a lot of stuff:  Typee, Oomu, and a story about a lazy guy who doesn’t want to work, crap nobody reads anymore and crap nobody read back then either.  Then he came up with a brilliant idea, write the same kind of book but include monsters in it:  man-eating whales and giant squid.  Well you know the rest of the story.  They couldn’t keep Moby Dick; on the shelves even though it was longer than a Stephen King novel. Now you might think a whale is no big deal but think about the novelty in the 19th century, nobody had real monsters in novels or stories, so a giant, man-eating, toothed, sperm (he, he) whale was a big deal. Sure it’s dated now but so’s your mother. Peter Benchley even stole it in the modern era and made it a crumby shark for heavens sake, so you can’t say it’s that dated.

SquidWell monsters in literature went out of favor for awhile while guys like William James and Jane Austen and Anthony Trollope (he, he) wrote a lot of boring books that nobody reads anymore, even when they’re assigned in school. Kids just crib it from some Ivory-Merchant movie, or Cliff’s Notes, or Wikipedia now. And it’s no wonder, these books are dead boring and rarely feature even the occasional witch, demon, or even body snatcher (They aren’t very well written either.).

So a couple of years ago (2009) there was a spate of “literary” (= boring) novels that got jazzed up with the addition of monsters. This was generally a good thing. It all started with Jane Austen’s dreary book of marriage foibles entitled Pride and Prejudice. Now Ms. Austen got one thing right: alliteration in titles, but that’s about all she had worth reading. Then along came the eminently talented Seth Grahame-Smith with the genesis of how to make the 19th century “parlor” novel tolerable: add monsters. We therefore got Pride and Prejudice and Zombies. I cannot describe how excited I was on first hearing about this “novel” artifice. Sadly the execution was not as grand as I had hoped it would be. Don’t get me wrong, this was far better than the dreadful zombie-less version of P&P but it wasn’t as good as it could have been, hence the disappointment (What’s new?). The problem was the zombie sequences were all bolted on, not made integral to, the plot of marrying off the ugly and fat Bennett daughters. There were lively scenes of zombie ninja slaughter interspersed but it never really affected the main characters in any lasting way. Now for a monster insertion into a piece of writing, film, or television (we’ll leave out live theater for the obvious reasons), to be realistic it has to engage the major storyline and affect at least some of the main characters. Just having zombie fight sequences inserted with everyone else living happily ever after is never gonna wash.

PrideandPrejudiceandZombiesCoverHere’s how I would have done it, and done it right. I would have had at least one of the girls get bitten by the “unmentionables.” Then the action could have figured on how the daughter would have to be married off before the “affliction” became obvious to the suitor. See how much better that would have been. Alternatively you could have Elizabeth being bitten but then engaging in a mad race with Mrs. Bennett to get the other sisters married off before the curse sets in on her. Another angle could be to have the stricken Elizabeth, summoning her last ounce of humanity, pimping Darcy off on a less worthy but also less undead débutante. Ah, I was born to be an editor or producer.

Anyway this started a wave of updated and improved “classics” starting with the marvelous Sense and Sensibility and Sea Monsters (much better alliterative title than the clumsy P&P&Z). A lot of my hoity-toity (ex)writer friends referred to these pastiches as “abominations.” Needless to say we crossed them off the invitation list.

Well of course things got out of hand like they always do.  Pretty soon we had Android Karenina and similar dreck.  An android is not a proper monster, it’s just a robot. Then we had the spate of historico-literary punch-ups like Queen Victoria Demon Hunter all of which were blatant fakes except for the excellent Abraham Lincoln Vampire Hunter which was based on actual suppressed federal documents. I think FEMA or the Trilateral Commission were behind the suppression. Now the entire sub-genre of monster enhanced classics has waned from both overexposure but also from the fact that the literary novels left to insert monsters in are so bad that even a monster won’t save them.

There you have it:  add monster, shaken not stirred.

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Next time I’ll tell you how the inclusion of television, broadcast or cable, can enhance anything from sex to nature walks.